Clearing things up (FAQ)

We work in ninja mode. We're where the action is but stay in the background. We know a crew in tracksuits at a gala is a faux pas, so we dress for the occasion.

We blend in so well that guests enjoy themselves without a hint of self-consciousness. Our work should be visible only in the final film, not during the event.

It depends on the strategy. We have three modes:

• Cinema post-production (Standard): 7 days with full colour grading and sound. Deadlines are sacred to us.
• Express: Film ready 2–3 hours after the last guest leaves. We prepare in advance and work on powerful machines on site.
• Hybrid (Social First): Short forms (Reels/TikTok) very quickly, even during or the morning after the event; main film in standard mode. Best of both worlds.

We know the map inside out. Poland is our everyday; we go anywhere. Europe – sure, bags are packed. USA? We can do it. The rest of the world? Why not. We skip only regions that are unsafe (we value our lives and your footage).

Our gear runs on electricity; we run on calories (and sometimes coffee). So yes, we need to eat and sleep.

• Meals: If we can use the buffet, great – we eat in "Formula 1 pit-stop" mode: fast and discreet. Otherwise we'll grab something off-site.
• Accommodation: The client covers logistics; we're transparent. We don't need luxury – clean bed and a good breakfast are enough. A rested operator means sharp footage and a creative head.

Absolutely. Your business needs a voice, not title cards. A satisfied client's testimonial is the strongest social proof. We support speakers with interview technique and matte powder so you get natural, authoritative content.

Simple: Email or call → check the calendar (not for yesterday) → tell us about the event → if the date is far ahead, secure it with a deposit. That deposit locks the date for both sides.

Yes. Social is part of the deal. Vertical (9:16) is standard for us. You set the needs; we deliver and suggest formats that stop the scroll.

Long enough to cover the topic, short enough to hold attention. Aftermovie = punchy, emotional, "play it again". Substantive coverage = longer, educational. Tell us what matters more: vibe or content, and we'll choose the right length.

Yes. It's your film. We include two rounds of revisions as standard. Further rounds are additional work and we'll add them to the invoice fairly.

We shoot on RED, Panasonic, Sony in 4K and 6K, with cinema lenses and full lighting and sound. Cinema-grade – fine for the big screen. Lightweight – small file for quick email. You choose.

Yes. You get full economic rights. The film is yours to use. We keep only non-transferable moral rights (we're proud of our work). We'll showcase it in our portfolio only with your explicit consent.

No licence, no film. Music comes from professional libraries, composers, or AI-generated tracks. You receive 100% legal material with paid licences, ready for worldwide use.

Quality has a price. Cost reflects people, skills, gear and legality. Two options: "Cards on the table" – you state your budget and we deliver the best within it; "Itemised quote" – we quote each element. For first-time clients we ask a 20% deposit – it secures the date and gives both sides peace of mind.